


My work revolves around the concept of oneiromancy (interpreting dreams to predict the future or gain divine insight) and oneiric film theory: A framework analysing how films emulate the subconscious through surreal imagery, fragmented narratives and emotional, symbolic storytelling rather than logical progression. Treating the cinematic experience as a shared waking dream.
In my work, the identity of figures are often distorted through digital manipulation such as pixelation. This creates a sense of anonymity and detachment which obscures the identity in a way that mirrors how people appear in dreams: recognisable yet indistinct.


